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DENNIS BOXELL

Master Teacher
& Researcher
of Balkan Dance

Dennis Boxell was born in 1940 and grew up in Minneapolis, Minnesota. He was first introduced to the music and dance of the South Slavs at the age of fifteen. He learned the dances of the Croatian and Serbian immigrants with the encouragement of Lillian Kurkowsky of the St. Paul International Institute. While in Minneapolis, Dennis met Dick Crum, noted Balkan folklore researcher, who was then the choreographer of the Duquesne University Tamburitzans, and who inspired Dennis to begin to develop a professional interest in Balkan dance. His first love was Balkan dance, and after being exposed to it, he lived in Yugoslav communities in and around St. Paul, Minnesota, absorbing their songs and dances and learning about their foods and folklore.

In 1960 and 1961, he was in Europe acting as an interpreter of the Czech language for the United States Army Security Agency. In 1960, while on leave in West Germany, he traveled with the National Ensemble of Yugoslavia “Kolo iz Beograda." The group tour director, Desa Djordjevic, gave him a private tutor who worked with him every day on the dances he wanted to learn and bring back to the United States. This provided an excellent way of observing the dancing the correct styling of Serbian dances.

In London, England,  he understudied with a Bulgarian dance group and added a wealth of original Bulgarian material.  There, he studied with Phillip Thornton's Yugoslav Dance Club and Danny Lumbley's Bulgarian Dance Group. In London he learned his "original five dances" that were to launch him on his teaching career. Those dances, familiar to folk dancers in the United States are Bavno Oro, Belo Lence (Vranjanka), Ravno Oro, Sitno Žensko, and Tresenica. Dennis has been living in the world of dance, music, and folklore ever since.  

In 1961, Dennis formed a performing group in South St. Paul, Minnesota. The members of the group were the children of Slavic immigrants, mostly Serbians. He finished his freshman year at the University of Minnesota. He traveled West to study Slavic languages at the University of California in Berkeley (UCB). Enroute to California, at the annual folk dance festival in the small town of Richland, Washington (the hometown of Dick Oakes), Dennis was "discovered" by John Filcich, creator of the San Francisco Kolo Festival and owner of the largest Balkan folk dance record and music store in the United States. John brought Dennis to the Kolo Festival in November, 1962, where, to great acclaim, Dennis presented his "original five dances."  

His success at the Kolo Festival brought him to the attention of the Stockton Folk Dance Camp, where he taught each of the next five years. His popularity led him to be the first Balkan dance teacher to teach an extended national tour, on which he taught not only his "original five dances," but also Šopsko Horo.

In 1963, Dennis traveled to the Balkans  for more exposure to the arts and culture which have fascinated him for so many years. He visited and studied with eminent folklorists such as such as Kiril Dženev and Raina Katsarova of Bulgaria; Ivan lvancan of Croatia; Nana Stefanaki of Lykeion Athens in Greece; Pece Atanasovski and Vasil Hadjimanov of Macedonia; and Milica Illijin and Dobrivoje Putnik of Serbia.  

Since 1963, Dennis has made many trips to remote areas of the Balkans, including the villages of Zvan, Gorno Orizari, Dracevo, the plateau of Mariovo, and the Resen area in Yugoslav Macedonia; The villages of Petrovo, Opan, Gorno Oriahovo in Thrace; Dragoevo, Gigen in North Bulgaria; Luzani, Dalj, Njemci, Gundinci in Slavonia; Pinosava, Mrcajevci, Neresnica and Vuckovica in Serbia; And in Greece, Agia Varvara on Crete. Promahi and Orma near Edessa, and the village of Bouf in the Florina area,  Naoussa, Meliki, Goumenissa, and Vamvakofyto in Greek Macedonia.  From these research trips, he produced in 1965 seven LP albums and 42 single 45’s and since 1998 over 30 CDs and cassettes. Many of these recordings have become standards in schools, clubs and colleges throughout the world. 

Dennis founded and was artistic director of the acclaimed Koleda, perhaps the best traditional Balkan music and dance ensemble ever formed in this country and which numbers among its alumni Alex Eppler, Mark Morris, Marcus Holt Moskoff, Yves Moreau, Mary Sherheart, Jonathan Frye and Don LaCourse. Since 1985, his award winning ensemble, “Akrites”, a Seattle based group, has won praise from critics and audiences alike for their stunning and exciting presentation of authentic Greek folk dance. His group, the “Ionians”, based in Anaheim, California, won the coveted “Sweepstakes’ award in competition against sixty other Greek performing groups from the West Coast.

 He has been resident choreographer for the Vela Luka Ensemble of Anacortes, Washington and guest choreographer for Radost and Ostali Muzikasi in Seattle, Brigham Young Dancers in Provo, Utah, Ethnic Dance Theater in Minneapolis, Aman of Los Angeles and the Croatian group, Zrinski Frankopan of Chicago. In 1972, he choreographed “Faust” for the Seattle Opera. He has toured the United States and Canada many times, teaching Balkan dance at literally hundreds of colleges and community groups.

Acting as an impresario, he has introduced to the nation such popular teachers as Atanas Kolarovski, Yves Moreau, Jaap Leegwater and Slobodan Slovic. 

From 1991 to 1999, Dennis was the Choreographer for St. George’s Morava in San Diego.  From 1997 to 2001, Dennis was Artistic Director of Sokoli at St. Steven’s Serbian Orthodox Cathedral in Alhambra (Los Angeles), and had over 75 students of all ages in his dance classes.  In the early 1990’s, Dennis also worked with St. Petka’s Avala in San Marcos and Srpska Kruna at Christ the Savior in Arcadia (Los Angeles).  From 2001 to 2006 Dennis was Cultural and Dance Director at the Assumption of the Blessed Virgin Mary Serbian Orthodox Church in Fair Oaks (Sacramentoarea), California.

He currently lives in Buffalo, Minnesota where he remains active as a  Balkan dance and music researcher.   Frequently asked to provide original material for other dance companies, he finds time to tutor choreographers of Balkan dance materials throughout the South Slavic community in the U.S.

In 2007 and 2008 he has introduced a number of new Balkan Dance CDs and DVDs as part of his recent renewed efforts to rekindle enthusiasm for the basic village dances of the Balkan countries. 

Some of the most popular dances and dance music introduced by Dennis are: Setnja (music only), Savila Se Bela Loza, Djurdjevica, Pinosavka, U Sest, Bavno Oro, Jove Male Mome, Kamenopolsko, Shopsko Horo, Bucimis, Sheikhani, Ravno Oro, Pushteno (Leventikos). Stankino, Trite Pata, Ovcepolsko, Zita, Drhtavac, Nebesko, Stara Vlaina, Ajde Lepa Maro, Sitno Zensko, Tresenica, Tik, Bogdanos, Podaraki, Povoz, Iz Banju Ide and many more.

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